It’s sad that we as Progressives have allowed the populist, working-class terrain of country music become the soundtrack of conservatives. While artists like Zach Bryan are teasing songs like “the fading of the red, white and blue” that jab at immigration enforcement and decry the American dream as being battered. Progressives remain absent from this cultural space. Country music is hardly apolitical. Its roots lie in the rural working class, in economic despair, labor protests, in voices that howl against injustice. Yet today the genre has been corralled into a chorus of right-leaning tropes: patriotism, guns, small-town nostalgia. An article in The New Yorker notes a new cohort of “outlaw songwriters” challenging Nashville’s conservative lock-in—but too many left-leaning voices remain mute. I feel that if Progressives don’t move into this space, they hand the cultural microphone to the conservatives and allow them to shape the narrative. The Trump admini...
In the Inland Empire, patriotic progressives, combative centrists, and left-coded independents can sometime feel alone in Inland Empire. However, this blog serves as a counternarrative to the conservatives in this region. Please support this work by liking, subscribing, and sharing this content. Also feel free to reach out to be a guest writer on this platform. Like I always say a smarter Democrat is a better Democrat and better Democrats are what we all want to be.